On a quantum level the laws of physics overflow our cartesian existence. If we imagine the subjects as quantum particles, the photographer would attend an experiment in the Nature’s laboratory.
Sometimes the protagonists are distributed with mastery in the framework of photography. Random, luck and opportunity make their appearance.
In the sand of a beach, during the summer, you can discover acrobats of concentration, acrobats who make the vertical to read an invisible book and acrobats who perform risky somersaults driving themselves into the trunk of a tree from a shipwreck. Anything goes up.
While some regard the Amazons as a purely mythical people, others assume an historical foundation for them.
I especially like the flower in the pond. It has been almost a miracle to do it. The rest of the series has no special interest but can be seen without further ado. I like the one of the girl who doesn’t have her feet on the floor and watch a guy who looks in the same direction. Today I did something with the shadows. The projected branches in the sand… Summer, days, casual things.
We have everything on the beach: horizon, sea, sky, and sand. In between, like ants out of the nest, human figures play, enjoy water, sunbathe, heat up, enjoy leisure time to be happy, and most importantly, are in a great scenario to be photographed.
Seeing a photograph is a visual and intellectual pleasure. Just like reading a good book, just like listening carefully to an immortal concert or opera. Sometimes relationships are established between the elements of the image, certain contrasts, a kind of dialogue between the subjects. I do not mean the composition or the usual rules of the four thirds, I speak about the subtle situations. In this series I especially like the photograph of the woman who crosses La Rambla. The female protagonist establishes a formal relationship with the three-arm lamppost. Why? The woman also has three arms and a point of distant light at the tip of the nose!
Some of Garry Winogrand’s best photographs are those of people observing something that is not seen in the image. It is fascinating. It allows the observer to think about what the protagonists are looking at, then establishing a mock reconstruction of the real world where the imagination of the public is put to work for some good one: it is, they must be in, and so on. With this resource today I have proposed to photograph people who look without showing the focus of their eyes. Thanks, Garry!