When a human body moves further from the (self)life of rotation it becomes increasingly more difficult to change the rotational velocity of the establishment. Intuitively, this is because the human being is now carrying more momentum with it around the circle of life and because the existential momentum is changing more quickly.
(*) Photographs taken before the coronavirus pandemic
How can millions of people distinctly remember something that never happened?
It is quite logical that the Mandela Effect increases exponentially in the near future due mainly to the cocktail of information that surrounds us. Some believers in conspiracy theory may think that the ME is a System Error. The matrix of the system produces the ME because is incapable of governing a chaotic system in a stable and scalable order (Lagrangians, variational principles, physical symmetries, etc.). But I emphasize that complexity is almost unbounded. ME will give us work to do for many centuries more. That might also apply to the foundations of quantum physics, and its relation to complexity*.
(*) Photographs taken before the coronavirus pandemic
People do not live in the present. We are moving towards a future, as if we were going to embark on a long journey, without realizing that as passengers we are already in transit, the transit of the present. There are also those who decide to live in the past, on experiences forgetting that they consume as a burning candle the light of the moment. So we make futures, we plan futures, but the future is something unattainable. We are, in this sense, innocent headless. Children believe in fairy tales, adults in planning futures.
In random games, the black cat is lucky. People dressed in black have always caused me some fascination. In intellectuals (writers, artists, thinkers, actresses, philanthropists …) is a combination that gives the character a kind of magnetism that perhaps undressed would not have it. Play in the lottery, maybe a black cat will give you the chance to win.
The light is whimsical, fortunately. Watch this woman, down the subway scales. She wears a very radical hairstyle. Half shaved hair, with the shell (half head) in sight. And the light, as the bold hairstyle points out, illuminates just the place of the shorter hair. A form of light that is repeated under the staggered step.
The other two photographs have peculiar relationships: the girl in the dress and the cone of circulation; the infused boy and the others who see him understood.
Modern art visited the Columbus monument in Barcelona. A necessary restoration of the statues of the base (66 ft) wide circle, with four staircases. For me, in my humble opinion, now the statues from the buttresses and against the pedestal reach the top artistic zenith. They should always be like that: wrapped in white fabrics and knotted networks. The viewer imagines the interior they hide, emulating the artistic works of Christo Javacheff. Awesome!
The sea is the canvas. The torso man is a white spot. The woman with the sunglasses and the enigmatic smile, the time. The needles of the horizon obey a certain order and a warning to the seagulls: do not rest here, or you will prick the feathers.
Photographing giants is a festive activity that modifies our human scale. We are insignificant if we compare ourselves with them. They dance and wear their best clothes. It is something magnificent that allows us to daydream and forget the gear of wealth redistribution and the intrusive digital marketing.
Sometimes photographs capture strange situations. The inflatable helicopter patrolling the city. A bike that looks like a motorcycle. A woman with sunglasses who put her hand on her forehead so as not to be blinded by light. The crosswalk crowded with babies in strollers…
